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A Book of Operas: Their Histories, Their Plots, and Their Music

 By Henry Edward Krehbiel

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And the Lord said unto Satan, Behold, all that he hath is in thy power; only upon himself put not forth thine hand. So Satan went forth from the presence of the Lord. - Page 139

Princess at the close of his corrective poem, when "All Her falser self slipt from her like a robe, And left her woman, lovelier in her mood Than in her mould that other, when she came From barren deeps to conquer all with love. - Page 306

'And all the days that Adam lived were nine hundred and thirty years: and he died"; but this did not prevent - Page 22

sworn thyself an enemy to God and to all creatures? To this I answer thee, thou canst not marry; thou canst not serve two masters, God and thy prince. For wedlock is a chief institution ordained of God, and that thou hast promised to defy as we do all, and that - Page 113

the surface of which the idyllic play floats buoyantly, like a water-lily which starts and slides Upon the level in little puffs of wind, Tho - Page 331

the whirlings of a fearsomely voluptuous dance are seen: — These are the Venusberg's seductive spells that show themselves at dead of night to those whose breasts are fired by daring of the senses. Attracted by the tempting show, a shapely human form draws nigh; 'tis - Page 226

Oh, how doubly dear and above all honor is Mozart to me that it was not possible for him to invent music for 'Tito' like that of 'Don Giovanni,' for 'Cosi fan tutte' like that of 'Figaro'! How shamefully would it have desecrated music! - Page 66

To begin with, the orchestra leads before us the pilgrims' chant alone: — it draws near, then swells into a mighty outpour and passes, finally, away. Evenfall; last echo of the chant. As night breaks, magic sights and sounds appear, - Page 226

thereon, salvation won, this wave itself swells out the tidings of sublimest joy. Tis the carol of the Venusberg itself redeemed from curse of impiousness, this cry we hear amid the hymn of God. So wells and leaps each pulse of life in chorus of redemption, and both dissevered elements, both soul and senses, God and nature, unite in the atoning kiss of hallowed love. - Page 228

like, at times, to hear the Ancient's word, And have a care to be most civil: It's really kind of such a noble Lord So humanly to gossip with the Devil. - Page 137

Other editions

A Book of Operas [Easyread Comfort Edition]

A Book of Operas [Easyread Comfort Edition]

by Krehbiel, Henry - Music - 2006 - 356 pages
A delightful book about the history of operas. Krehbiel uses musical excerpts to make his work morecharming and hypnotic. Mesmerizing!
A Book of Operas [Easyread Large Edition]

A Book of Operas [Easyread Large Edition]

by Krehbiel, Henry - Music - 2006 - 500 pages
A delightful book about the history of operas. Krehbiel uses musical excerpts to make his work morecharming and hypnotic. Mesmerizing!
A Book of Operas

A Book of Operas

by Krehbiel, Henry Edward - Music - 2006 - 476 pages
Originally published: Garden City, N.Y. : Garden City Publishing Co., 1917.
show more »

Places mentioned in this book

Nuremberg - Page 290
He has vitalized the dry record to be found in old Wagenseil's book on Nuremberg,1 and intensified the vivid description of a mastersingers' meeting ...
more pages: 284 293 297 300
Seville - Page 30
Reminded that the lad knows of his pursuit of Susanna, the Count modifies his sentence of dismissal from his service to banishment to Seville as an ...
more pages: 11 12 75 97
Cerignola - Page 129
But my salary of 100 lire, to which nothing was added, except the fees from a few pianoforte lessons in Cerignola and two lessons in the Philharmonic ...
more pages: 130 155
Prague - Page 217
In Prague he had sloth and indifference to overcome; in Dresden the obstacles were hatred of Prussia, the tastes of a court and people long accustomed ...
more pages: 107 154 216 49
Naples - Page 241
The story would not take long in the telling were it not tricked out with a multitude of incidents designed to illustrate the popular life of Naples ...
more pages: 3 155 239 242
Chorley - Page 118
For the English rights Gounod is said to have received only forty pounds sterling, and this only after the energetic championship of Chorley, ...
more pages: 7 16
Vienna - Page 157
The tremendous personal popularity of the composer, who was now as much a favorite in Vienna and Berlin as he was in the town of his birth which had ...
more pages: 23 30 39 251
Milan - Page 132
After com-pleting the routine of the conservatory in Milan, he spent a great deal of time in Paris and the larger German cities, engrossed quite as ...
more pages: 110 157 172
Berlin - Page 157
The tremendous personal popularity of the composer, who was now as much a favorite in Vienna and Berlin as he was in the town of his birth which had ...
more pages: 216 219 111
Cairo - Page 179
At first the opera people in Cairo thought they wanted only the score which carried with it the right of performance, but soon they concluded that ...
more pages: 176 178 181
Rome - Page 225
join a younger band of pilgrims and seek absolution at Rome. He goes to the Holy City, mortifying his flesh at every step, and humbles himself in ...
more pages: 18 223 284
Hamburg - Page 21
Chrysander's argument, made in a lecture at the Johanneum in Hamburg in 1896, preceded an analysis of Handel's Biblical oratorios in their relation to ...
more pages: 4 47 50
Paris - Page 38
For a space it looked as if the leaders of the Jewish congregations in Paris would provide funds.
more pages: 116 48 54
London - Page 2
The opera failed on the Continent as well as in London, but if it had not been given a comic operetta flavor by its title and association with the.
more pages: 175 3 97
New York - Page 43
The first scene was brought forward in New York by Walter Damrosch at a public rehearsal and concert of the Symphony Society (the Oratorio Society ...
more pages: 42 100 206
Venice - Page 239
The world has heard more of the natural beauties of Naples than of the artificial ones of Venice, but when Naples is made the scene of a drama of any ...
more pages: 67 166
Burgos - Page 75
He salutes her with soft blandishment in his voice, but to his dismay discovers that she is a noble lady of Burgos and one of the "thousand and three" ...
more pages: 76
Munich - Page 251
Ludwig of Bavaria invited him to come to Munich, the political ban was removed, and "Tristan und Isolde" had its first performance, to the joy of the ...
more pages: xvi 204 237
Brescia - Page 175
His faith found jus-tification when he produced it in Brescia three months later and saw it start out at once on a triumphal tour of the European ...
more pages: 173
Bologna - Page 131
and, the first version never having been printed, the critical fraternity became exceedingly voluble after the success in Bologna, one of the debated ...
Karlsruhe - Page 251
Eduard Devrient urged Karlsruhe, where he was director, but Wagner wanted to supervise the pro-duction, and this was impossible in a theatre of ...
more pages: 250
Monte Carlo - Page 152
It was Raoul Guns- bourg, director of the opera at Monte Carlo, who, in 1903, conceived the notion of a theatrical representation of the legend and ...
more pages: 128 159
Mayence - Page 111
Mayence, the partner of Gutenberg, was the original Dr. Johann Faustus (the prototype of Goethe's Faust), who practised magic toward the end of the ...
Hanover - Page 251
Weimar, Prague, and Hanover were considered in order, and at length Wagner turned to Vienna. There the opera was accepted for representation at the ...
more pages: 127
Jerusalem - Page 83
Assad returns to Jerusalem, where, conscience stricken, he seeks to avoid his chaste bride. To Solomon, however, he confesses his adventure, ...
more pages: 91 93
Nimwegen - Page 312
Then he bade her repair to Nimwegen, and commending her and her daughter to the care of the emperor, he departed thence in a swan-drawn boat and was ...
Zurich - Page 226
It was performed at a concert under his direction while he was a political refugee at Zurich, and for the programme of the concert he wrote a synopsis ...
more pages: 248
Brussels - Page 251
Wagner went to Paris and Brussels, but had to content himself with giving concerts. Weimar, Prague, and Hanover were considered in order, ...
more pages: 92
Athens - Page 21
Nor are there lacking in these stories some of the elements of Greek legend and mythology which were the mainsprings of the tragedies of Athens. ...
Boston - Page 3
or left in Naples, whither it emigrated, or in Boston, to which highly inappropriate place it was banished to oblige the Neapolitan censor. ...
more pages: 33 126 160
Darmstadt - Page 53
The conductor at Darmstadt to whom it was first submitted re-jected it on the ground that it was too difficult for his singers. ...
Poltava - Page 215
they demonstrated nothing, though in an intermezzo from Tschai- kowsky's "Mazeppa," descriptive of the battle of Poltava, which has been heard here, ...
Florence - Page 157
The opera came out in Florence in 1892. The tremendous personal popularity of the composer, who was now as much a favorite in Vienna and Berlin as he ...
Bury - Page 136
M. de Bury refers, of course, to the supernatural music, which serves as an introduction to the overture to "Don Giovanni," and accompanies the ...
Rouen - Page 54
Brussels heard it in 1878; but it did not reach one of the theatres of France until March 3, 1890, when Rouen produced it at its The"- atre des Arts ...
more pages: 154
Genoa - Page 284
Genoa in 1814. There it still reposes in the Church of St. John, but it is no longer an object of worship, though it might fairly excite a feeling of ...
Pesaro - Page 158
It was brought out at Pesaro, where, in 1895, Mascagni had been appointed director of the Liceo Musicale Rossini. ...
Corni - Page 23
Corni. •^S^sm fefeasf aided by a traditional gesture (the singer's forefingers pointing upward from his forehead), complete his meaning. ...
Cologne - Page 311
After the happy domestic life of the pair has been described, it is told how Lohengrin overthrew the Duke of Cleves at a tournament in Cologne and ...
more pages: 329
Moscow - Page 219
Had he had his own way the opera would have ended with the scene in which Dmitri proceeds to Moscow amid the huzzas of a horde of Polish vagabonds, ...
more pages: 215
Mannheim - Page 50
von Schwarzburg," by Ignaz Holzbauer, a German opera produced in Mannheim fifteen years before "Die Zauberflote" saw the light of the stage lamps. ...
Bonn - Page 4
pieces in the final scene of " Fidelio " was taken from a cantata on the death of the emperor of Austria, composed by Beethoven before he left Bonn. ...
Philadelphia - Page 243
as it was called in Philadelphia, were conducted by Cleofonte Campanini and the principal parts were in the hands of Carolina White, Louise Herat, ...
Flushing - Page 127
Hanke used the same material and title at Flushing in 1794, and Ignaz Walter produced a "Faust" in Hanover in 1797. ...
Syracuse - Page 110
In the sixth century Theoph- ilus of Syracuse was said to have sold himself to the devil and to have been saved from damnation only by the miraculous ...
Warsaw - Page 27
of Isaac has been much used as oratorio material, and Joseph Eisner, Chopin's teacher, brought out a Polish opera, "Ofiara Abrama," at Warsaw in 1827. ...
Madrid - Page 32
Luis Cepeda produced a Spanish opera in Madrid in 1845, and a French opera, in five acts and a prologue, by Monteclaire, was prohibited, ...
Kyoto - Page 165
Osaka wearies of his guest, but Kyoto plans to play still further upon his lust. He clothes her in richer robes, but more transparent, places her upon ...
more pages: 163
Nagasaki - Page 178
Chrysantheme became the wife of Pierre Loti during his stay at Nagasaki, and then dutifully went home to her mother without breaking her heart at all. ...
more pages: 179
Osaka - Page 164
Kyoto brings in Osaka to admire her beauty, and sets a high price upon it. Osaka sends for jewels. 7ns awakes and speculates in philosophical vein ...
Chicago - Page 232
in its home cities, in February, 1912; of "I Giojelli della Madonna" first produced in Berlin in December, 1911, and in Chicago a few weeks later. ...
more pages: 243
New Orleans - Page 94
1 "Hfirodiade" had its first performance in New York (it had previously been given in New Orleans by the French Opera Company) on November 8, 1909. ...
Memphis - Page xv
Mariette Bey, 179 — His archaeological discoveries at Memphis, 179 — Camille du Locle and Antonio Ghislanzoni, 180—First performance of the opera, ...